Night #13: The Quatermass Xperiment (1955)

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There’s no room for personal feelings in science, Judith!”

Directed By: Val Guest

The 50’s saw a rise in the age of Sci-fi. Partially this was because of technology and the space race, setting off international interest in exploration that went beyond the four corners of the globe. But hand in hand with that came the creeping paranoia of communism and the Red Scare of the post-WWII years. This stopped being subtext and more or less became literal text with 1956’s Invasion Of The Body Snatchers but it had been bubbling under the surface of a lot of other movies from that decade.

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Night #12: April Fool’s Day (1986)

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Oh, alright, something about myself. Um, I wanna work with handicapped children, and my parents are my best friends. Oh, and I start convent school next semester… and I FUCK on the first date. April Fool’s!”

Directed By: Fred Walton

1986 was rather late for slasher movies. They peaked early and burned out quick. Some movies were big enough names to still hold out (Your usual suspects), but by and large they went straight to video where they would largely remain until a brief resurgence in the 90s.

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Night #10: The Black Cat (1941)

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It looks like it’s been raining cats and cats around here.”

Directed By: Albert S. Rogell

This happens sometimes. As we saw with The Mummy, I’ll end up finding another movie with the same name, possibly a remake, and then just go with it. Thankfully this time around a cat features a little more prominently, though it doesn’t reach the delirious heights (casual cat murder) of the previous nights viewing.

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Night #9: The Black Cat (1934)

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Strange about the cat. Joan seemed so curiously affected when you killed it.”

Directed By: Edgar G. Ulmer

First, a word about phrasing. I don’t know why it struck me so, but I was amused by the line “Suggested by the immortal Edgar Allen Poe classic”. It’s an odd bit of reverence for an author and their work. Though of course it could just all be marketing talk, the way that the advert on TV promises that Daniel O’Donnell is back with his “stunning new album.” Even if you hadn’t read the Edgar Allen Poe story in question, you know that there’s only going to be one or two elements they’ll take from it. Spoiler: There’s exactly one.

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Night #8: The Burrowers (2008)

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If you so much as touch that gun without my say-so, I will holster it in your ass.

Directed By: J.T. Petty

You would think that more horror movies would be western themed. Both genres kind of lean well into one another, but it happens less than it should. On one end of the spectrum you have the excellent Bone Tomahawk from last year. The other end you have Tremors 4: The Legend Begins (Be weary of any horror flick that has a subtitle). So where does The Burrowers line up?

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Night #6: The Mummy (1959)

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Seems I’ve spent the better part of my life amongst the dead.”

Directed By: Terence Fisher

I figured if I was going to watch one then I might as well watch one of the (many) others. Seriously, if you look up “Mummy” in IMDB you’ll have a whole lot of ‘Curse Of…’ and ‘Rise Of…’ etc. One year, when I’m completely out of ideas, I’ll do 31 nights of Mummy movies.

Can’t wait.

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Night #4: Hell Night (1981)

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If you weren’t screaming, and we weren’t screaming – then someone is trying to mind fuck us here.”

Directed By: Tom DeSimone 

It must’ve been hard being Linda Blair. You star in one of the most memorable horror movies of all time and then you make movies like Chained Heat (A ‘women in prison’ movie and all that entails), and somewhere along the way you star in Hell Night.

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Night #2: God Told Me To

God Told Me To (1976) aka Demon

Directed by Larry Cohen

Shown: Poster Art

“God told me to.”

Directed By: Larry Cohen

In the annals of cult America cinema I’m not sure that Larry Cohen gets his due. Usually mentioned as that guy made movie about ice-cream that kills you (The Stuff, which is fantastic), he had a great run of movies such as Q: The Winged SerpentHell Up In Harlem and It’s Alive. 

If nothing else, he was a filmmaker who used great hooks and went from there (Indeed, the later Colin Farrell movie Phone Booth dusted off an old Cohen script). This one is no different: Random New Yorkers are committing spree killings and before they die they’re claiming “God told me to.”

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